The Jászság is a region of Hungary along the Zagyva River, a tributary of the Tisza, in Szolnok county in the northwestern part of the Great Plain (Alföld). Its inhabitants, the Jász people, were a nomadic Indo- European  tribe. (Were they originally Iranian? One writer thinks so.) They entered the area in the 13th century as part of the wave of migration that also brought the Kun people   into Hungary. Soon afterwards, they came to the military aid  of Hungary's King Béla IV, who in turn granted them   special  privileges which lasted almost uninterrupted until 1876. During the passing centuries, the Jász, like the Kun,  were gradually assimilated into the greater Hungarian culture. The Jász were quick to establish market towns in their    new territory, which had been devastated by Tartar invasions. After the Turks were forced out of Hungary in the 17th century, the Jász also spread into vacant agricultural lands to the south of their original settlements. Traditions of the Jász For centuries the Jász  settlements were based on the  had, or troop, a form of extended family or clan also found among the nearby Palóc, Kun and  Hajdú peoples. The Jászság  settlements traditionally had a high "captain" based in   Jászberény, and an echo of their military tradition  is still heard in the lyrics of their folk songs. Jászberény, about 40 miles east of Budapest, is the principal town of the  Jászság, with a population of  30,000 or more. Legend has it that Jászberény is also the site  of the ancient seat of Attila, the   famed king of the Huns,  and that his coffin made of gold, silver and iron rests on  the  bed of the Zagyva. Although some of the Jász tribe's ancient words became part of the Hungarian language (for example komondor,  sheep  dog), the Jász are now considered speakers of the  Palóc dialect of Hungarian, and their folklore reflects both Palóc and Alföld influences. Most are Roman Catholic.   However, the folklore of the Jászság, like that of  Kun lands, long retained Eastern influences -- for example, garments cut along simple, rectangular lines -- that   reflected their later arrival from the steppes. >From the Jászság to America This unique mix of cultures finds part of its expression   in dances and music that combine urban influences with the pastoral traditions of the Great Plain. It makes for an  appealing blend. The folklore of the Jászság has been preserved in Jászberény by one of Hungary's leading  amateur dance and music ensembles, the Jászsági   Együttes, which through the 1980s was directed by Imre Papp.  The Kárpátok Ensemble of Los Angeles (including the  author, who played kontra. or chord viola, among other  instruments)  had the opportunity to study the dances, music and songs  of the Jászság during an extended visit to Jászberény   during the summer of 1985. To the best of our knowledge,  Kárpátok is the only performing ensemble outside of Hungary to include the folklore of the Jászság in its    repertoire. Kárpátok's artistic director, Tibor Toghia,  choreographed a suite of dances from the village of Jászalsoszentgyörgy   and also taught the dances of the Jászság to Hungarian  dance enthusiasts at a traditional táncház dance party in   Los Angeles. The dance cycle of the Jászság The traditional dance cycle of the Jászság includes  four  dances: Verbunk, men's recruiting danceUgrós, jumping dance  Lassú csárdás, slow couple dance Friss csárdás, fast couple dance Music of the Jászság Traditional music of the Jászság earlier in this   century featured a small band of instruments also heard in music  of the Alföld and Délalföld regions of Hungary: violin,  viola, bass and tekerö, or hurdy-gurdy, whose distinctive  buzzingsound adds an extra rhythmic impetus to the sound. The viola did not play melody or harmony, but rather played two- note chords, with an extended, pulsing bow on the beat  for the verbunk and lassú csárdás and a short, crisp off- beat attack for the ugrós and friss csárdás.